Resume
- Re-Recording Mixer
- Supervising Sound Editor
- Audio Engineer
Los Angeles, CaliforniaMPEG Local 700
Los Angeles–based Re-Recording Mixer, Supervising Sound Editor, and Audio Engineer with more than 15 years of experience across feature films, documentaries, concert films, trailers, live productions, and streaming.
My work combines creative sound mixing and editorial with a deep technical understanding of immersive audio, theatrical playback, live-streaming systems, synchronization, and complex production workflows.
I specialize in translating demanding creative and technical requirements into polished, reliable, and emotionally effective audience experiences.
Expertise
- Re-recording mixing
- Dialogue and ADR editing
- Sound design and supervising sound editorial
- Dolby Atmos, IMAX, 7.1, 5.1, and stereo mixing
- Music and concert-film mixing
- Audio restoration and noise reduction
- Broadcast and streaming audio
- Theatrical playback and quality control
- Live-event audio systems
- Audio/video synchronization
- Session design, routing, and delivery workflows
- Creator coaching and technical troubleshooting
Experience
Re-Recording Mixer / Supervising Sound Editor
Mixing and sound editorial for feature films, documentaries, concert films, trailers, promotional content, and live productions.
- Mix dialogue, music, and effects for Dolby Atmos, IMAX, 7.1, 5.1, and stereo delivery.
- Edit and restore production dialogue, ADR, voice-over, and other spoken-word recordings.
- Collaborate with directors, producers, picture editors, composers, and sound editors throughout post-production.
- Create theatrical masters, broadcast mixes, streaming deliverables, stems, fold-downs, M&E tracks, and alternate versions.
Audio Systems and Technical Lead
Design, operation, and troubleshooting of advanced audio and playback environments for live, theatrical, and streaming productions.
- Manage professional mixing stages built around Avid S6 control surfaces, Pro Tools HDX systems, Dolby Atmos RMUs, and multichannel monitoring.
- Develop signal-flow, routing, monitoring, synchronization, and failover strategies for mission-critical productions.
- Support Dolby Cinema and theatrical playback systems, including Dolby CP850 and CP950 environments.
- Oversee live-streaming workflows incorporating immersive and stereo audio, video encoding, packaging, content protection, and synchronized playback.
Selected credits
Systems
Audio post and mixing
- Pro Tools Ultimate (beta tester)
- Avid S6
- Avid S1
- Pro Tools HDX
- MTRX Studio
- DADman
- Dolby Atmos RMU and Renderer
- Dolby CP850 / CP950
- Waves
- iZotope RX
Video and media
- DaVinci Resolve
- Audio layback and muxing
- Frame-rate pull-up and pull-down
- Quality control
- Audio/video synchronization
Streaming and playback
- AWS Elemental MediaLive
- AWS Elemental MediaPackage
- HLS
- MPEG-DASH
- Dolby Digital Plus with Dolby Atmos
- DRM and SPEKE workflows
Workflow and systems
- Machine-room integration
- Networked audio
- Monitoring calibration
- Loudness compliance
- Delivery specifications
Tools built
CinemaStreamer
Theatrical playback software supporting HDMI Dolby Digital Plus with Dolby Atmos and professional ASIO output, for specialized cinema and production environments.
SyncProbe
Audio/video synchronization and measurement tool for evaluating playback timing and diagnosing sync faults across production systems.
Available for re-recording mixing, dialogue editing, supervising sound editorial, immersive audio, live productions, audio quality review, and technical consulting.